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Elesa Sparkle, Helluva Engineer

5 hours ago
2 min read


Couched in an intimate yet disquieting seriousness, Atlanta's Tom Sinclair aka Elesa Sparkle’s debut album Helluva Engineer sees him working with an expanded sample palette, new emotional dimensions, and downtempo walls of sound. This certainly seems like a natural evolution for Tom, whose moderately Kanye-esque deployment of a diverse array of textures and samples has been a core feature of his work since the initial early 20’s drops like 2024’s Hollow or ICU. Unique to this release, however, ES works with some truly abstract intermingling parts reminiscent, but not necessarily referential, of early turn of the century alt electronic acts like the Delgados or even Postal Service in a roundabout way, while maintaining a knowing self-awareness. Because of this, it’s an easy and simultaneously exciting piece of work.


The heartfelt "Gas Pedal", with its auto-mechanical companionship metaphors and frankly hilarious sampling usage, is a nice microcosm of the rest of the project - an earnest indie cadence teleports in and out of a hilariously slowed and reverbed Sage the Gemini club hit while we’re essentially given fragments of a love letter. Many similar blends dot this album, ranging from the bombastic truculence of Don’t Stop to languid reflection in the form of Heartache Drip’s resonant violin sorrow wrapped around some familiar symbols (“How do you stay up on weekdays? Does your doctor know your weakness?”) for mindsets and life patterns we’d all sometimes rather not acknowledge.



And flashes of a math-rock-y sensibility decorate the album’s starker moments - in particular the progressive precision which drives "Countdown" and "Honesty", the former breaking down into a hopeful futuristic chanting zoom, and the latter methodically stepping upwards onto a cliff-hanger with a little bit of twang. This creates something which I’d characterize as being more light and breezy than has been ES’s tonal home thus far, and the album is all the brighter for it. A particular highlight would be "Something’s Gotta Give", which smuggles intermittent string flourishes underneath very direct frustration (“No we are different people, I don’t have a need for you, I don’t know when I’ll call you back, dad”) and manages it well.


That’s not to say that all of this doesn’t occasionally get repetitive, but that’s not necessarily a bad thing - some things are exceedingly difficult to communicate without it.


"Morning Glory" is the most emotionally vulnerable moment of the project, and perhaps of Elesa Sparkles’ career up this point when a sparse guitar culminates in a kind of figure painting, redemptive, hopeful and wary in the same breath (“You’ve got a hand to hold, and that astounds me”). It’s dissonant with much of the rest of the album, and I sincerely hope we’re treated to more like this in future releases.


'Helluva Engineer', the debut album from Elesa Sparkle, was released August 28th, 2026.


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